Since the advent of the poststructuralist revolution some thirty years ago, interpretive literary criticism has suppressed two concepts that had informed virtually all previous literary thinking: (1) the idea of the author as an individual person and an originating source for literary meaning, and (2) the idea of "human nature" as the represented subject and common frame of reference for literary depictions. In particular, it has been concluded that Dorian experiences the thesis and the antithesis but ultimately gets caught up in the antithesis and does not manage to achieve the synthesis stage, causing his early self-destruction.
The article concludes that Dorian Gray exposes the dialectic nature of human beings and highlights the significance of making the right choices through a rational and moral state of mind. The second part of the study contemplates to establish a dialectic reading of Wilde's The Picture of Dorian Gray, identifying these three stages within the story and exposing the vital dialectic choices the protagonist makes along his quest to preserve youth and beauty forever. The theoretical section of the study focuses on the Hegelian dialectic system and scrutinises the three stages with references to various texts and sources. Hegel's dialectic triad of the thesis, antithesis and synthesis. To this end, the novel is discussed through the framework of GWF. In specific, the article aims to carry out a dialectic reading of The Picture of Dorian Gray by concentrating on the protagonist and the path he takes throughout the narrative. This study endeavours to conduct a philosophical interpretation of the renowned Wildean work of fiction. Oscar Wilde's only novel, The Picture of Dorian Gray has been the subject of analysis from a wide variety of theoretical and thematic perspectives.
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